FUJI GFX ETERNA 55

ETERNA™ – Dziedzictwo na nowo wyobrażone na nową erę

Opis sprzętu

ETERNA – nazwa, która oznacza „wieczny”.
To, co kiedyś żyło na celuloidzie, teraz powraca w erze cyfrowej.

W sercu kamery GFX ETERNA 55 znajduje się potężny sensor dużego formatu: 44×33 mm (55 mm przekątnej), znacznie przewyższający tradycyjny pełnoklatkowy 35 mm. Jego rozległa powierzchnia rejestruje światło w oszałamiających detalach, oferując kinową estetykę i unikalną charakterystykę głębi ostrości, której standardowe formaty nie potrafią odtworzyć.
Płynne przejścia tonalne. Subtelne faktury ukryte w cieniach. Atmosfera utrzymująca się w światłach.
Każdy błysk światła, każdy niuans tonu – wiernie odwzorowany, nawet przy słabym oświetleniu, przy niezwykle niskim poziomie szumów.
Odcienie skóry rejestrowane są z delikatną precyzją, zachowując ich naturalny wygląd.
GFX ETERNA 55 to więcej niż narzędzie – to kamera, która pozwala filmowcom powrócić do istoty opowiadania wizualnego: chęci wyrażania się poprzez światło.

Electronic Variable ND Filter, Dual Base ISO, OLPF, uniwersalne gniazdo G, gotowe nastawienia zgodne ze spuścizną FUJIFILM i kompaktowy rozmiar sprawiają, że kamera sprawdzi się w każdych warunkach.

Specyfikacja techniczna

FUJIFILM GFX ETERNA 55 — Specifications

Model Name FUJIFILM GFX ETERNA 55
Lens Mount FUJIFILM G mount
Image Sensor 43.8mm × 32.9mm GFX 102MP CMOS II HS with primary color filter
Number of Pixels 102 million pixels
ND Filter Electronic Variable ND Filter, 0.6 (ND4) – 2.1 (ND128)
Gamma Film Simulation / F-Log2 / F-Log2 C / F-Log / HLG
LUT Setting Up to 16 3D-LUT files can be saved on the camera. Supported cube sizes: 17 / 33 / 65. File names up to 48 characters.
Cooling Fan Setting AUTO1 / AUTO2 / HIGH / LOW
Sensor Cleaning System Ultra Sonic Vibration
Image Processing Engine X-Processor 5

Storage Media

Supported Cards/Drives
  • SD Card (up to 2GB), SDHC (up to 32GB), SDXC (up to 2TB)
  • UHS-I / UHS-II, Video Speed Class V90
  • CFexpress Type B (up to 2TB)
  • SSD (up to 2TB)

See Fujifilm compatibility page for verified cards: https://fujifilm-x.com/support/compatibility/cameras/

Sensitivity & Exposure

Movie Sensitivity Standard Output: AUTO, ISO 400–12800 (1/3 step)
Extended Output: ISO 100–320 (1/3 step), ISO 25600
Exposure Control TTL 256-zone metering: Multi / Spot / Average / Center Weighted
Exposure Compensation (Movie) −2.0EV to +2.0EV (1/4EV step)
Dynamic Range 14+ stops (F-Log2 / F-Log2 C)
Shutter Speed / Angle 1/8–1/8000 sec, 5.6°–360°

Focus

Modes Continuous AF / MF
Type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-Light Performance Contrast AF: −0.7EV (with GF80mmF1.7 attached)
Phase Detection: −3.7EV (with GF80mmF1.7 attached)
AF Frame Selection Single Point AF (13×9 / 25×17; AF frame size changeable)
Wide / Tracking AF AF: MULTI / TRACKING / AREA
Face / Eye Detection Yes
Subject Detection Yes (Face / Animal / Bird / Automobile / Motorcycle & Bike / Airplane / Train)

Monitor

Side Monitor 3.0-inch Touch Screen Color LCD
Aspect Ratio 3:2
Dots Approx. 1.04 million dots

Movie Recording

File Format / Codecs Containers: MXF, MOV
Apple ProRes: 422 HQ / 422 / 422 LT, Linear PCM stereo (24-bit / 48 kHz)
HEVC/H.265: Linear PCM stereo (24-bit / 48 kHz)
Compression All-Intra / Long GOP
Project FPS 59.94P / 50P / 48P / 47.95P / 29.97P / 25P / 24P / 23.98P

Resolutions, Frame Rates & Bitrates

8K (17:9) Size: 8192×4320
Frame Rates: 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
8K (16:9) Size: 7680×4320
Frame Rates: 29.97p / 25p / 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
8K (2.76:1) Size: 8192×2968
Frame Rates: 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
6.3K (16:9) Size: 6382×3590
Frame Rates: 29.97p / 25p / 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
5.8K (2.39:1) Size: 5824×2436
Frame Rates: 29.97p / 25p / 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
5.4K (17:9) Size: 5440×2868
Frame Rates: 29.97p / 25p / 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
4.8K (3:2) Size: 4776×3184
Frame Rates: 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
4.8K (16:9) Size: 4776×2688
Frame Rates: 29.97p / 25p / 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
4.6K (1.38:1) Size: 4664×3380
Frame Rates: 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
4K (1.195:1) Size: 4040×3380
Frame Rates: 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
DCI 4K (17:9) Size: 4096×2160
Frame Rates: 59.94p / 50p / 48p / 47.95p / 29.97p / 25p / 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
4K (16:9) Size: 3840×2160
Frame Rates: 59.94p / 50p / 48p / 47.95p / 29.97p / 25p / 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
4K (4:3) Size: 3840×2880
Frame Rates: 48p / 47.95p / 29.97p / 25p / 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
Full HD (17:9) Size: 2048×1080
Frame Rates: 119.8p / 100p / 59.94p / 50p / 48p / 47.95p / 29.97p / 25p / 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
Full HD (16:9) Size: 1920×1080
Frame Rates: 119.8p / 100p / 59.94p / 50p / 48p / 47.95p / 29.97p / 25p / 24p / 23.98p / 22p
Bitrates: 720 / 360 / 200 / 100 / 50 Mbps
All-Intra only at 720 & 360 Mbps
Proxy H.264, ProRes Proxy, OFF

Recording Notes

  • Selectable mode depends on “Image Format”.
  • Use CFexpress Type B or SD card with UHS Speed Class 3 or higher for movie recording.
  • For 360 Mbps: use CFexpress Type B or SD card with Video Speed Class 60+.
  • For 720 Mbps: use CFexpress Type B or SD card with Video Speed Class 90.
  • PROJECT FPS cannot exceed maximum RECORDING FPS.
  • Selectable bitrate depends on settings.
  • Apple ProRes can be recorded only to CFexpress Type B; bitrate for Apple ProRes is not selectable.
  • Recording time may shorten depending on temperature and/or shooting conditions.

Film Simulation Modes (20)

  • PROVIA/Standard
  • Velvia/Vivid
  • ASTIA/Soft
  • Classic Chrome
  • REALA ACE
  • PRO Neg.Hi
  • PRO Neg.Std
  • Classic Neg.
  • Nostalgic Neg.
  • ETERNA/Cinema
  • ETERNA BLEACH BYPASS
  • ACROS
  • ACROS + Ye
  • ACROS + R
  • ACROS + G
  • Black & White
  • Black & White + Ye
  • Black & White + R
  • Black & White + G
  • Sepia

White Balance

Modes Auto (White Priority / Ambience Priority), Custom, Color Temperature selection
Color Temperature 2000K–11000K, CC −16.00 to +16.00

Wireless & I/O

Wireless (Wi-Fi) IEEE 802.11 a/b/g/n/ac (standard protocol), WPA2 / WPA3, Infrastructure mode
Bluetooth Bluetooth 4.2 (BLE), Operating Frequency 2402–2480 MHz
Terminals USB Type-C®; HDMI OUT (Type A); LAN (1000BASE-T / 100BASE-TX / 10BASE-T); ϕ3.5 mm stereo mic in; ϕ3.5 mm stereo headphone out; ϕ2.5 mm remote; TC IN/OUT; GenLock; 12G-SDI OUT (max 4K59.94p 12G/6G/3G); LENS connector (12-pin, 14V-0.5A); V-mount battery attachment; Handle connection; DC OUT 12V (2-pin LEMO, 12V 3A); LCD monitor cable; DC IN (4-pin for AC-15VS)

Power, Dimensions & Weight

Power Supply NP-W235 Li-ion battery (included); DC IN via AC-15VS power adapter (included); V-mount battery
Dimensions (W × H × D) 110.8 × 138.2 × 176.8 mm
Weight (excl. battery & card) Approx. 2.0 kg
Operating Environment Temperature −10℃ to +40℃; Humidity 10%–80% (no condensation)
Power Consumption Standard: 21W — with lens, 4K 16:9 59.94P, ProRes HQ, fan Auto1, excluding accessories other than LCD monitor & handle.
Maximum: 49W — with lens, 4K 16:9 59.94P, ProRes HQ, fan High, including accessories, DC OUT 12V not connected.

Accessories Included

  • Li-ion battery NP-W235
  • AC power adapter AC-15VS
  • AC cable
  • Body cap
  • Handle
  • LCD Monitor
  • LCD Monitor hood
  • LCD attachment
  • PL-Mount Adapter

FUJI GFX ETERNA 55

ETERNA™ – Dziedzictwo na nowo wyobrażone na nową erę

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