ATM system • Sprzet filmowy • Kamery Warszawa • RED Ranger Monstro 8K
RED Ranger Monstro 8K
RED RANGER to zintegrowana kamera Large Format 8K oferująca wszystkie potrzebne cechy kamery filmowej.
Posiada sensor 8K VV MONSTRO, integrowane wejścia/wyjścia, porty zasilania 24V, shimmowane gniazdo PL, rozszerzone funkcje termiczne, jak również wzmocnione body kamerowe.
Kamera posiada również zintegrowane systemy mocowania, rigowania I wzmocnioną obudowę. Posiada niezależne wyjścia SDI oraz wejścia AUDIO XLR.
Zestaw wzbogacony jest o lupę OLED DSMC-2.
SPECYFIKACJA TECHNICZNA
RED RANGER WITH MONSTRO 8K VV
| SENSOR TYPE | MONSTRO 35.4 Megapixel CMOS | |||
|---|---|---|---|---|
| EFFECTIVE PIXELS | 8192 × 4320 | |||
| SENSOR SIZE | 40.96 mm x 21.60 mm (Diagonal: 46.31 mm) | |||
| DYNAMIC RANGE | 17+ stops | |||
| MAX DATA RATES | Up to 300 MB/s using RED MINI-MAG (480GB & 960GB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) | |||
| MAX FRAME RATES 1 | 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456) 60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024) 75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) | |||
| PLAYBACK FRAME RATES (PROJECT TIMEBASE) | 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions | |||
| REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:11 | 5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps 12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps 2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps 3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps | |||
| REDCODE RAW ACQUISITION FORMATS2 | 8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x | |||
| APPLE PRORES | ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps | |||
| AVID CODECS | DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ and SQ(1920 × 1080) 8-bit up to 120 fps | |||
| CONSTRUCTION | Aluminum Alloy | |||
| WEIGHT | 7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount) 7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock) | |||
| DC IN POWER INPUT | 11.5 V DC to 32 V DC | |||
| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) | |||
| STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) | |||
| RELATIVE HUMIDITY | 0% to 85% non-condensing | |||
| COLOR MANAGEMENT | Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Variable number of 3D LUT outputs User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing | |||
| AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Integrated dual channel 5-pin XLR with preamplifiers, uncompressed, 24-bit 48 kHz | |||
| REMOTE CONTROL | External R.C.P. WiFi antenna with SMA connector Ethernet, RS232, and GPI Trigger | |||
| MONITOR OUTPUTS | 3G-SDI (HD-SDI) and MON-1 1080p RGB or 4:2:2, 720p RGB or 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio | |||
| MONITOR OPTIONS | DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, DSMC2 Touch 7.0″ Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable. | |||
| REDCINE-X PRO DELIVERY FORMATS | 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 | |||
| VIDEO EDITING SOFTWARE COMPATIBILITY4 | Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro | |||
Tech specs reflect both current and projected information. Everything is subject to change.
